Skip to main content

From concept design to reality: from fractals to design

The accomplishment of a concept goes across a long way of many phase until the arrive of the product design to market where a client can buy it and the company can verify if the product collects the consent and the expetation of clients.

If a design competition represents a way to see a great deal of possible concept or not, the accomplishment of a marketable concept is rather different. In architecture it's known before of a preliminary project there is an important step that it's to have a committment and a real demand of the architectural project respondent to the necessity of a service for city or people.

In the design it's seems similar but the planning of an object is tied to the possible industrial production and if there isn't the market or clients for that product it's useles to begin a path for the concept design to the realized product.

To plan, any object or in any scale, it's a complex operation. It supposes a synthesis of function, technique, form and aesthetics. A project is the functional response of some needs, but its formal construction cannot derives necessary from function and neither from the technique used.

Therefore we need to search ispiration elsewhere, to ispire ourself we can use something aroud us or an image stimulates our interest. In three of my concepts for design competitions I have used as ispirational source the images generated from fractal software. What interested me to show in these project was not only the function and the technical response but also a solutive composition that from a formal point of view it complied the required use searching a form in the place not usual.

The experience of that moment was more satisfying although the result of the competition, so I have pin the possibility for next time to use fractals as inspirational source. The characteristic of fractals to be organic and in nature as territorial orogeny and vegetable or animal complex forms render the graphics very good for pattern design or fashion sector but also as a basis to obtain products tied to biomimicry.

From the story of architecture we learn that for example Greek used the nautilius or the leaf of acanthus to decorate the capitals of the columns while during art Nouveau flowers and plants were used as ispirational bases to decore stairs and wall.

Recently I have resumed the possibility to use fractal graphic as pattern for design doing right graphical manipulation so to obtain a texture suitable for market. Fractals being more colorful don't like some stylistic flavor of consumers. This is known to fractal artists that in many years have done fractal competitions. Often the demand is for vintage image rather than minimalist images according to modern flavor. The same fractal art is art for limited persons and so there are few artist known.

If so in the art we can find hard to meet the flavor of clients, it's obvious in the design this fact is more evident although some fractals with their forms are tied to old handcrafted works of our grandmothers such as doilies for table or crocket works for table cloth or bed blankets.

Comments

Popular posts from this blog

Urban landscapes between staticism and dynamism

At present in architecture in Italy it’s necessary decision making that in the existing istitutions and clients quite missing.   In the new area of expansion of our cities in the twentieth century to resolve the crisis of accomodations post war and post worker emigration it’s arrived yet another quantity of low quality architectures leaving the usual unsolved puzzle of expansions.   In the current suburbs it’s evident the problem of urban renewal together the creation of service for citizen not still available.     The designers often prefer get caged in overcome discussions rather than deal with problems of real requests of society or prefer don’t decide on development path deal for major questions rather than delude the ranks of supporters accumulated in the time. In our society with age-old story, designers prefer to talk about troublesome accademic discussion as the identity of italian architecture rather than modern style. This isn’t identity but staticism whether these discussion

Fractal patterns and singularity: unicum and continuum, iteration and interaction

When I met fractals and fractal art, what aroused my interest were fractal patterns with their forms and geometric structure. These graphic elements are suitable for studies on pattern in architecture and in industrial design and they have the feature of being creative pattern very artistic and useful for digital art and drawing fabric in the fashion design. Their compositional relations, the way the form is repeated, and specially that patterns in which there are singolarity have been the object of my studies for many years before arriving at deconstructivism on digital images and in generative art. The most interesting aspect of the fractal patterns are the variation of structure for the overlap of different structures, the iteration and interaction of the structures between them, or the optical effect of light and colors on the structures.  Among all fractal patterns my interests are focused on patterns have deformation points and show a graphic singularity or discontinuity in the s

Fractal art and generative art: caos and order between forms and colors

When we speak about art, all of you consider classical sectors as painting, sculpture, photography and cinema without thinking that also in the programming and in the math there is the development of new artistic paths in line with the graphics and the digital art. They suppose a background of knowledge more extensive lied to mathematical algorithms and complex computer programming. If the experience in the fractal art allowed me to extend the artistic and mathematical competences, the generative art allowed me to put in practice this competences from the point of view of programming in a different way and in relation with digital graphics.   The common vision of both arts is in the fractal formulas on which is based the study of dinamic systems, in both cases we find the caos in the algorithms and only the designer decides how sets order. The fractals are geometric object with the character of auto-similarity as defined from the chaos theory and are described as recursive algorithms w